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Keepin’ It Surreal (11/25/25)

Today was our day to learn about all things Salvador Dali, at least as presented in the Dali Museum in St. Pete. This is in fact our second trip to the museum having been to the museum in another, smaller location at least 25+ years ago. The current building, which was designed by architect Yann Weymouth, opened in January of 2011. We watched a show about the building a few weeks ago. It is designed to be hurricane resistant and combines the rational with the fantastical, including a geodesic glass bubble known as The Enigma and a helical staircase).

A few photos of the building before discussing the artist, the artwork, and museum experience.

A view of the back of the museum that I took the other day.
You can see the glass bubble that appears
to be coming out of the building.
The dome on the left is a separate building
for immersive art experiences
of either a Van Gogh painting or a Dali painting.
Walking up to the front of the building,
you see this rock with the fountain of youth.
This is a new version of an old artesian well that was on the pier and reputed to have healing qualities.
The other side of the rock fountain
The helical staircase that takes you from the first to the third floor
Looking down to the first floor cafe and out into the garden
from the third floor
The domed, glass bubble ceiling
and the spiraling top of the staircase
Looking out towards the marina and pier
The dome from the garden
Some of the cafe seating
and Dali’s “Carmen Castanets” bronze sculpture
A very Dali-esque selfie opportunity!

The tickets for the museum were $32 each. It would have been $15 more per person for one of the dome shows, but Bob and I had already done the immersive Van Gogh experience a few years ago in Austin, so we chose not to do that today. We really enjoyed the museum. In addition to looking at the art exhibits, they offer free films about Dali, surrealism, and the museum, free guided public tours of the art, special exhibitions, a virtual reality experience to go into a painting, a cafe, and a great museum shop. While we didn’t eat at the cafe, we took advantage of everything else (though just window shopped in the store). Highly recommend a visit.

If people know anything about Dali, they associate him with surrealism and melting clocks. Both correct, but as we learned, he was really only actively involved with the Surrealists for about 10 years. His art then moved into nuclear mystical.

His technical skill was evident from an early age, and he was able to go to a prestigious art academy in Madrid, though never graduated. At some point, he felt he was good enough and didn’t need to prove himself to instructors or anyone else.

“Port of Cadaques (Night),” 1918-19.
He was born in 1904, so would have been 14 or 15 years old.
“Cadaques,” 1923. This is his hometown,
which he depicted throughout his career
but in more symbolic ways.
“Portrait of My Dead Brother,” 1963.
Salvador shared a name with his father
but also an older brother who died young.
The face is formed by a number of painted cherries.

The vast majority of the museum’s collection comes from Reynolds and Eleanor Morse, who collected Dali’s art throughout their marriage and formed a friendship with Dali. They later wrote numerous books and articles on Dali, trained the docents of the Dali Museum (the first building) when it opened in 1982, and in 1989 received the Cross of the Officer of the Order of Isabella the Catholic from King Juan Carlos of Spain in recognition of their scholarly work.

“Daddy Longlegs of the Evening —Hope!,” 1940.
This was the first Dali purchased by the Morses.
It represents Dali’s belief in a costly but victorious end to WWII.
“The Average Bureaucrat,” 1930.
Dali drew this in response to his father,
who worked for the government,
being upset with the choices Dali was making
(like dropping out of art school).

The name of the painting reminded Bob and I of a big head(less) head sculpture we had seen in Iceland in 2022.

This was called “The Monument to the Unknown Bureaucrat.”
“The Disintegration of the Persistence of Memory,” 1952-54.
“Gala Contemplating the Mediterranean Sea, which at 20 meters becomes The Portrait of Abraham Lincoln,” 1976.

Which painting do you see? Play with the size of the photo and see if you can see the other one. Right now, I see Gala, but on my phone it looks like Abe Lincoln.

Listening to our guide discuss all the symbolism
in “The Hallucinogenic Toreador,” 1969-70.
You can see the toreador (bullfighter)
if you see the green as his tie.
“The Ecumenical Council,” 1960.
The woman in front was our tour guide.
Dali’s lobster phone and a fun quote.

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